一名男子被谋杀。在他的葬礼上，四个女人意识到他与她们每个人都有亲密关系，这使得她们都成了潜在嫌疑人。这部电影围绕她们对他的生平和死亡展开调查、以揭开真相的过程展开叙事 。

一名男子被谋杀。在他的葬礼上，四个女人意识到他与她们每个人都有亲密关系，这使得她们都成了潜在嫌疑人。这部电影围绕她们对他的生平和死亡展开调查、以揭开真相的过程展开叙事 。

昊斌与正秀约在汉江取回一样东西，而那东西关乎着两人的感情。在这最冷的一日，两个男人干柴烈火，无怪其燃。

In 2011, the Taiwanese artist presented his play Only You, in which the character of the medieval Buddhist monk Xuanzang slowly walks across the stage for half an hour. This scene inspired him to shoot short films that contrast the slowness of walking with the speed of the surrounding events. The first of these, No Form, was shot on the streets of Taipei and revels in the duality of time and space, humorously punctuated by Nina Simone's song Feeling Good.

The key elements of electronics, such as semiconductors and display components, are produced in “clean rooms,” which are spaces where environmental conditions, including dust, are controlled. However, workers in these clean and sanitized spaces are often exposed to chemicals that are seriously hazardous to their health. Unlike immediate catastrophes, diseases caused by the accumulation of chemicals often go unnoticed and develop slowly over generations. 　　What was that sour-yet-sweet odor? Does "clean" mean that it only maximizes production stability while being far from body safety? Ironically, it is only the memories of the bodies and the faint smells of the substances passing through the clean rooms that prove the invisible toxicity and dangers of these cutting-edge technology sites. 　　Colorless Odorless follows the work records and archival materials of victims of semiconductor biohazards to trace the smells and actions of substances that cameras cannot capture. To this end, the voices of Asian women and migrant workers, who are exposed to vulnerability, are heard. Testimonies of the past are overlaid on current symptoms, and the disaster repeats itself in other bodies and places. As multinational corporations move manufacturing plants to developing countries to lower not only labor costs but also the costs of safety standards and regulatory responses, industrial disasters are also globally transferred. 　　Perhaps the future is not an abstract number, but something intertwined with specific bodies and matter. As high-tech industries lead the way in the globalization of risk and exploitation in increasingly outsourced workplaces, Colorless Odorless attempts to map out the terrain of solidarity among victims, activists, and workers' unions in the face of these risks and exploitation. (Written by Shinjae Kim, producer)

Paul Hood is the newly appointed director of the OP Center, a special agency gathering a wide variety of experts monitoring international crisis. On his first day on the job, nuclear missiles are stolen from the former Soviet Union by terrorists. The team must find out who did it, why, and most importantly, where they are heading so they can retrieve them

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Robert, Volker und Maren sind seit ihrer Kindheit beste Freunde und leben in Halberstadt. Eines Tages im Juli 1990 entdecken sie zufällig, dass in einem alten Schacht in ihrer Nähe die Millionen der ehemaligen DDR eingelagert wurden. Sie beschließen, das Geld zu stehlen und planen akribisch jeden Schritt, um ihr Vorhaben in die Tat umzusetzen. Aber je näher sie ihrem Ziel kommen, desto mehr müssen sie sich fragen, ob es das Risiko wert ist und welche Konsequenzen ihr Handeln haben wird.